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| ROCKY HORROR PICTURE SHOW |
| LATENITE 010986 |
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| THE ROCKY HORROR PICTURE SHOW is a magical phenomenon unlike anything ever before seen onscreen. Borrowing largely from cinema's horror conventions, the film begins as an innocent young couple is stranded at the home of a mad scientist who is building the perfect man. The castle is filled with a most bizarre group of characters who worship their master, Dr. Frank-N-Furter, played magnificently by the fabulously sexy Tim Curry, in leather jacket, pearls, fishnet stockings, and heavy makeup. Brad (Barry Bostwick) and Janet (Susan Sarandon) are forced to examine their own sexuality as the voluptuous doctor releases the hidden desires in each of them. |
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| THE QUIET EARTH |
| 011086 |
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| Zac Hobson rises one morning, and finds that he is apparently the last man on Earth; a government project Zac was working on went haywire, killing nearly everyone in the process. The landscape, however, remains unsullied. Zac at first enjoys the fruits of being Earth's sole tenant -- after all, everything's free -- but soon discovers two other humans struggling to survive in this empty world... |
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| INSIGNIFICANCE |
| 013186 |
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| This unique film takes place in 1953, and explores such themes as fame and emotional detachment. The four disparate main characters -- The Professor, The Actress, The Senator, and The Ballplayer, are thinly-veiled versions of Albert Einstein, Marilyn Monroe, Joseph McCarthy and Joe DiMaggio, respectively. When they all wind up in the same hotel room one night, the quartets' interactions with one another reveal fascinating aspects of their personalities, including vulnerability, naivete and guilt. But sadly, one trait is common to all four characters: despair. |
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| SHEER MADNESS |
| 021486 |
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| Two women, one a college professor and the other a troubled artist, struggle to survive in an environment scarred with insanity, suicide and murder. Michael Ballhaus' stunning cinematography imparts a strange, dreamlike quality to the picture. |
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| AC/DC: LET THERE BE ROCK |
| LATENITE 022086 |
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| The movie features AC/DC live at the Pavillion De Paris on December 9, 1979, during the tour that would be singer Bon Scott's last. After almost ten minutes of glimpses at the backstage life, the real movie starts as the band is introduced playing live on stage. Although the band is still in their '70s minimalist era with few stage effects and pyrotechnics, the live performance is considered one of the best and most energetic of their career. The live concert is intercut with quasi-fictional interviews with the members of the band. The interviews took place in Reims, France, two days before the concert. |
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| MISHIMA |
| 022886 |
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| MISHIMA: A LIFE IN FOUR CHAPTERS is director Paul Schrader's stunning film biography of one of Japan's most celebrated post-World War II writers--Yukio Mishima (Ken Ogata). A fictionalized account in four segments, three of the segments parallel events in Mishima's life with his novels (THE TEMPLE OF THE GOLDEN PAVILLION, KYOKO'S HOUSE, and RUNAWAY HORSES), while the fourth depicts November 25, 1970, the last day of his life, a day in which he committed two puzzling, stunning acts--one political, one deeply personal. MISHIMA is an amazing, disturbing multidimensional character study whose stunning visual splendor is supported by a riveting score by Philip Glass. It is a daring film that explores an obsessed artist--and tries to understand him--through his own writing. |
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| RAMBO: FIRST BLOOD II |
| LATENITE 030686 |
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| John Rambo is removed from prison by his former superior, Colonel Samuel Troutman, for a top-secret operation to bring back POW's still held in Vietnam. Rambo's assignment is to only take pictures of where the POWs are being held, but Rambo wants to get the POWs out of Vietnam. Teamed up with female Vietnamese freedom fighter Co Bao, Rambo embarks on a mission to rescue the POWs, who are being held by sadistic Vietnamese Captain Vinh and his Russian comrade, Lieutenant Colonel Padovsky. Rambo falls in love with Co Bao, and when Co Bao is killed by Captain Vinh, Rambo wants revenge, so he starts killing every enemy in sight while still focusing on his intentions to rescue the POWs. There are also corrupt American officials involved in the mission, including Marshall Murdock, one of Rambo's superiors. |
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| ALWAYS |
| 030786 |
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| A woman on the verge of signing her divorce papers returns to her husband's house on a Fourth of July weekend and stays to rehash and partially rekindle her marriage. Two other couples -- one newly wed, and the other in a more problematic middle stage -- join them. In mock-documentary style, the characters are seen largely talking about their relationships, with a few farcical plot turns thrown in. |
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| HEAVY METAL |
| LATENITE 031386 |
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| An astronaut brings home a glowing green orb for his daughter. However, the orb kills him and corners the girl for his purposes. Claiming to the embodiment of all evil, the malevolent sphere, known as the Locnar, terrorizes the little girl by showing a series of bizarre and fantastic tales in which he has influenced. The first is "Harry Canyon," a cynical taxi driver in a squalid futuristic New York who finds himself involved with a damsel in distress who is relentlessly pursued by murderous thugs who desire the Locnar her archaeologist father found. The second is "Den" which chronicles the adventures of a nerdish boy who is thrown into the fantasy world of Neverwhere where he is transformed into a studly naked muscle-man desired by beautiful women who must get involved in a conflict revolving around possession of the Locnar. The third is "Captain Stern" where the title character is a handsome but irredeemable scoundrel who stands accused in a trial that Locnar throws into chaos. The fourth is "B-17" where a World War II bomber plane limps home after a bombing run only to have the Locnar ram into it and revive the dead crew-members as murderous zombies. The next is "So Beautiful, So Dangerous" where a boxum secretary at the Pentagon is abducted by stoned alien wastrels and a oversexed robot. The final story is "Tarrna", where the Locnar has to come to a future Earth and changes a peaceful people into a horde of murderous barbarians who rampage with genocidal zeal. Only the last Tarackian, a silent swords-woman known as Tarrna, can avenge the victims and stop the Locnar. |
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| RETURN OF THE LIVING DEAD |
| LATENITE 032786 |
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| When a bumbling pair of employees at a medical supply warehouse accidentally release a deadly gas into the air, the vapors cause the dead to re-animate as they go on a rampage through Louisville, Kentucky seeking their favorite food, brains. |
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| THE OFFICIAL STORY |
| 032886 |
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| An Argentine teacher lives in blissful ignorance of the evils perpetrated by her country's government. Over time, however, her students' rejection of the "official" versions of their history leads her to question things herself. Suspecting that her adopted daughter may have been the child of a murdered political prisoner, she attempts to unearth the truth. But her investigation reveals levels of political corruption so abhorrent that the illusions of her past life are irrevocably shattered. |
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| STING: BRING ON THE NIGHT |
| LATENITE 100486 |
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| A documentary about the making of the first Sting album. Not only is some time spent in the studio (much of was recorded in an interesting mansion), but there is also some interesting information about what was going on in the lives of the members of his band during that time, including Sting's child being born. |
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| THE TRIP TO BOUNTIFUL |
| 041886 |
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| In an attempt to recapture the happiness she knew in the past, an elderly woman journeys back to the small town where she raised her children. Based on Horton Foote's play. Academy Award Nominations: 2, including Best (Adapted) Screenplay. Academy Awards: Best Actress--Geraldine Page. |
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| TO LIVE AND DIE IN L.A. |
| LATENITE 042486 |
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| Two cops in Los Angeles try to track down the vicious criminal Eric Masters. Then, one of them is killed by Masters and the other one swears revenge no matter what the cost. After that, the hunt becomes an ob- session and the law he once swore to uphold becomes meaningless to him. |
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| THE HUNGER |
| LATENITE 051586 |
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| The Egyptian vampire lady Miriam subsists upon the blood of her lovers. In return the guys or girls don't age... until Miriam has enough of them. Unfortunately that's currently the case with John, so his life expectancy is below 24 hours. Desperately he seeks help from the famous Dr. Sarah Roberts. She doesn't really belive his story, but becomes curious and contacts Miriam ... and gets caught in her ban, too. |
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| CALIGULA |
| LATENITE 052286 |
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| A reputedly faithful cinematic depiction of the historical events of Caligula's Rome, including the decadence and debauchery that marked his reign. This notorious release has faced rather hysterical hostility from would-be censors. Financed by Penthouse Magazine magnate Bob Guccione, who was accused of inserting hardcore sex scenes after completing photography with the impressive and esteemed cast of British actors. Contains graphic sex and violence. The R-rated version is shorter by 53 minutes! |
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| DREAMCHILD |
| 052386 |
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| Exploring the somewhat darker and more mysterious side of the Lewis Carroll's classic book, the movie follows Alice Liddell (the book's inspiration) as an old woman who is haunted by the characters she was once so amused by. As she thinks back on it, she starts to see her relationship with the shy author/professor in a new way and realizes the vast change between the young Alice and the old. |
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| BAND OF THE HAND |
| LATENITE 060586 |
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| As the result of a court order, a gang of five multicultural teenage street toughs are sent into the depths of the Florida Everglades in the charge of Joe Tiger (Stephen Lang), an American Indian social worker Vietnam vet who attempts to teach them honorable conduct. Once he sees fit, they make the transition to a rundown house in Miami, where they become involved in taking down a local drug lord (James Remar). BAND OF THE HAND was produced by Michael Mann (at the height of his success with MIAMI VICE). Among the then-unknown cast members are Lauren Holly, and John Cameron Mitchell (HEDWIG AND THE ANGRY INCH). The soundtrack features original songs by Bob Dylan and Prince. |
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| SMOOTH TALK |
| 060686 |
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| Based on the short story, "Where Are You Going, Where Have You Been", by Joyce Carol Oates, this film chronicles a 15-year-old girl, Connie's, sexual awakening in the Northern California suburbs. Her experimentations begin to get out of hand when the mysterious Arnold Friend takes an interest in her. |
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| 9 1/2 WEEKS |
| LATENITE 061286 |
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| An erotic story about a woman, the assistant of an art gallery, who gets into an impersonal affaire with a man. She barely knows about his life, only about the sex games they play, so the relationship begins to complicate. |
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| RAN |
| 062086 |
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| For his 27th film, the "sensei" of Japanese cinema, Akira Kurosawa, transposes Shakespeare's KING LEAR to feudal Japan. RAN, which translates as "chaos" or "turmoil," is the tragic tale of Lord Hidetora, a warlord who decides to divide his empire among his three sons on the eve of his 70th birthday. However, Hidetora's youngest and most compassionate son, Saburo, defiantly objects to this hasty decision and is disowned by the proud, stubborn ruler. Once the two eldest sons take control of the empire, they quickly turn on their father and begin vying for total control over the land. As Hidetora is banished from his own kingdom in a bloody battle, he must confront the consequences of his violent, ruthless past. |
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| BRAZIL |
| 062086 |
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| Sam Lowry is a harried technocrat in a futuristic society that is needlessly convoluted and inefficient. He dreams of a life where he can fly away from technology and overpowering bureaucracy, and spend eternity with the woman of his dreams. While trying to rectify the wrongful arrest of one Harry Buttle, Lowry meets the woman he is always chasing in his dreams, Jill Layton. Meanwhile, the bureaucracy has fingered him responsible for a rash of terrorist bombings, and both Sam and Jill's lives are put in danger. |
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| A CLOCKWORK ORANGE |
| LATENITE 071786 |
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| In a futuristic Britain, a gang of teenagers go on the rampage every night, beating and raping helpless victims. After one of the boys quells an uprising in the gang, they knock him out and leave him for the police to find. He agrees to try "aversion therapy" to shorten his jail sentence. When he is eventually let out, he hates violence, but the rest of his gang members are still after him. |
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| FOOL FOR LOVE |
| 071886 |
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| Robert Altman's adaptation of Sam Shepard's play takes the characters off the stage and places them deep in a barren New Mexico locale. Eddie (Sam Shepard) is a mysterious cowboy drifter who returns to the seedy El Royale Motel with the hope of resuming his romance with May (Kim Basinger), a blonde bombshell who works as a waitress in the bar. Over the course of one night, the lovers argue and talk endlessly, gradually revealing the tragic secret behind their tumultuous affair. Adding conflict to the proceedings is Martin (Randy Quaid), a man who is out to win May's heart. Altman captures the confined atmosphere of Shepard�s play, keeping the locations to a minimum. Shot in the middle of the Santa Fe desert, the film plays itself out like a disturbing, nostalgic dream. As the bickering couple, Shepard and Basinger perform with a fiery passion that makes the silent desert all the more unsettling. The songs, by Shepard�s real-life sister, Sandy Rogers, ring throughout the night, augmenting the film's dark tone. |
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| HANNAH AND HER SISTERS |
| LATENITE 073186 |
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| During a Thanksgiving Day party we make aquaintance with a numerous and problematic family. The leading characters are three sisters: Lee, the woman of Frederick, an old misanthrope painter; Holly, who dreams of becoming a writer, or an actress, or who knows who...; Hannah, famous actress, beautiful, intelligent, good mother, good wife, good sister, in short perfect, the pivot of the family. The balance begins to break up when Hannah's husband, Elliot, falls in love with Lee, who leaves Frederick. Holly goes through a deep crisis and meets Mickey, the former husband of Hannah, a hipocondriac TV producer. The affairs evolve and at the last Thanksgiving ... |
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| WHEN FATHER WAS AWAY ON BUSINESS |
| 080186 |
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| A naive boy tells his version of why daddy couldn't stay with his family in post-WWII Yugoslavia. In reality, the child's father has gone to prison for romancing the lover of a high-ranking party member. But the boy thinks papa's away working. The difficulties and tumult experienced by this fatherless family struggling to survive on their own is a parable for and mirror of the tensions between the Soviet Union and the emerging Yugoslavian government, struggling for independence. |
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| BLISS |
| 081586 |
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| A troubled young wife (Sheryl Lee) and her repressed husband (Craig Sheffer) seek conventional therapy for their marital woes with no avail--until she secretly engages the services of an avant-garde Tantric sex guru (Terence Stamp). His advice leads the couple on a journey toward mutual trust and fulfillment, unearthing her buried memories of sexual abuse. |
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| F/X |
| LATENITE 082186 |
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| Rollie is an expert in the art of Special Effects (F/X) and has a reputation build on many low budged hack and slash films (Including such titles as "I dismember momma") and is quite surprised to find that the FBI has a job for him. He is to stage the murder of a gangster about to enter the Witness Protection Program. He agrees, but then things get complicated. All the while a New York City police detective, Leo McCarthy is investigating the faked murder and can't understand why the FBI is even less helpful than usual. |
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| THREE MEN AND A CRADLE |
| 082986 |
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The film that charmed France -- and inspired the big-budget American sequel "Three Men and a Baby."
Three bachelors, who have never before fed, diapered or cared for an infant, find themselves in possession of a baby girl whose mother -- a former girlfriend of one of the trio -- unexpectedly dumps her with them. Unfortunately, figuring out exactly what to do with tiny, helpless creature doesn't come easy for the men, as they bungle, stumble and make a generally comical mess of the job.
But as they gradually uncover the mysteries of child-rearing, they discover how much fun it can be... and how easily a sweet baby girl can worm her way into your heart. |
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| VAMP |
| LATENITE 090586 |
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| A couple of college kids scouring the sleazy, local red-light district for a stripper for their party make the mistake of visiting the After Dark Club, where a vampiric Grace Jones is the marquee talent. Keith, Vic, and A.J., looking for strippers for their next frat party, unfortunately happen upon the only strip joint in town staffed and run by vampires. It isn't long before two of the boys have joined the ranks of the undead, complicating things for their fraternity brothers and their roommates. A kinky, often comedic modern-day vampire tale. |
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| MY BEAUTIFUL LAUNDERETTE |
| 091986 |
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| My Beautiful Laundrette is set within the Asian community in London, during the Thatcher years, and displays those values, of money but 'anybody can make it.' Omar gains the running of his Uncle Nasser's laundrette. He is helped by his friend Johnny who is an outsider, white but not entirely accepted by either the white or Asian Londoners. There are many memorable characters: Tania, Omar's cousin whom he might marry. Salim the manager of Nasser's garage and sometime drug importer. Rachel, Nasser's white mistriss, who like Johnny seems to be another outsider. The interaction of these people gives a comic insight into their world and makes a very refreshing film. |
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| BRAZIL |
| LATENITE 091986 |
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| BRAZIL is Terry Gilliam's masterpiece. The film, cowritten by Gilliam, playwright Tom Stoppard, and Charles McKeown, is set in a futuristic society laden with red tape and bureaucracy. When a bug (literally) gets in the system, an innocent man is killed, leading mild-mannered Sam Lowry (an excellent Jonathan Pryce) to reexamine what he wants out of life. He decides to fight the totalitarian system in his search for freedom--and the woman he loves. The terrific, offbeat cast features Robert De Niro as a renegade heating engineer; Katherine Helmond as Sam's ever-younger mother; Michael Palin as a frightened worker bee terrified of upsetting the status quo; Bob Hoskins as a vengeful Central Services employee; Jim Broadbent as a wacko plastic surgeon; the wonderful Ian Holm as Sam's nerve-ridden, pitiful boss, afraid of his own signature; and Kim Greist as the rebel Sam falls for. |
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| RESTLESS NATIVES |
| LATENITE 100286 |
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| Two lads in Edinburgh embark on a non-violent spree of robberies. They dress up in clown masks and act as modern highwaymen, robbing coach loads of tourists in the highlands. In the process they become folk heroes to the locals. Their adventures make for a whimsical and gentle comedy, in the Bill Forsyth vein. |
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| SALVADOR |
| 100386 |
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| Oliver Stone's first overtly political film, SALVADOR is a passionate protest against the savagery unleashed by fascist thugs in El Salvador during the early 1980s with the complicity of the U.S. government. It stars James Woods as combat photojournalist Richard Boyle, an erratic, cynical character with a taste for all things chemical. Hearing rumors of war, he and Dr. Rock (Jim Belushi), another free spirit, head for El Salvador by car. After viewing a right-wing officer's collection of severed ears and photographing a corpse-strewn garbage dump with ace photographer John Cassady (John Savage), Boyle realizes that the situation is much worse than advertised in the American press. He recognizes familiar faces among the ubiquitous U.S. military brass and CIA personnel from his stint in Vietnam, but they're predictably reluctant to discuss the reasons for their presence, especially with the outrageous Boyle. As the journalist becomes involved with a Salvadoran native named Maria (Elpedia Carrillo) and observes the selfless dedication of his humanitarian worker friend Cathy (Cindy Gibb), compassion and outrage slowly begin to replace his cynicism. When Boyle swears to the dying Cassady that he'll get his crucial photos out of the country, he realizes that he must also try to get Maria out before she too becomes a statistic. Woods gives a brilliantly incendiary seriocomic performance in this wild, lacerating, and bitterly observant film. |
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| ABOUT LAST NIGHT... |
| LATENITE 100986 |
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| Danny (Rob Lowe) and Debbie (Demi Moore) are in love--on a strictly casual basis--in this sexy comedy. Based on David Mamet's stage play SEXUAL PERVERSITY IN CHICAGO, director Edward Zwick's ABOUT LAST NIGHT... is a funny, provocative, and often insightful look at young romance in the 1980s. At a neighborhood bar, Danny, a swinging single, meets Debbie, a bright young advertising executive who happens to be sleeping with her boss. Sparks fly, and the pair go home together to enjoy what they think is going to be a meaningless night of sex, preferring casual sex to commitment. Danny and Debbie both enjoy their own freedom, work, and friendships. Debbie relies on the support of her roommate, Joan (Elizabeth Perkins in her film debut), a cynical kindergarten teacher, while Danny is constantly exchanging dirty stories and work anecdotes with his coworker and best friend, Bernie (James Belushi). Although they desire to keep their independence, Danny and Debbie begin spending more and more time with each other and finally end up moving in together, quickly becoming domesticated in spite of their fears. However, their whirlwind romance gets the better of them and, although they have strong feelings for one another, they break up. Emotionally devastated, they both attempt to move on while realizing that they may have had something more important than their supposed freedom. This in-depth look at the difficulties of modern relationships is insightful and sexy, featuring palpable chemistry between the two seductive stars. |
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| MONA LISA |
| 101786 |
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| Ex-con George, expecting to be repaid after taking a fall for his crime boss, is reduced to driving classy call girl Simone to her jobs at London's finer hotels. Despite their differences (he's a poorly-educated, unattractive, and unsophisticated bigot; she's a beautiful, elegant, and intelligent black woman), George falls in love with her and agrees to help locate one of her old friends, a junkie still working the streets for a dangerously violent pimp. |
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| FERRIS BUELLER'S DAY OFF |
| LATENITE 102386 |
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| Ferris Bueller (Matthew Broderick) is a tricky but harmless fast-talker. But he knows how to have fun, which is exactly what he sets out to do when he feigns illness and talks his parents into letting him stay home from school. The perpetually lucky Ferris enlists his hypochondriac best friend, Cameron Frye (Alan Ruck), into springing his girlfriend, Sloane Peterson (Mia Sara), from class, and the three embark on a raucous downtown Chicago adventure. From Wrigley Field to the Art Institute of Chicago to a Polish pride parade, Ferris and his friends make the most of their day off. But Ferris, Sloane, and Cameron might not get away with playing hooky. Ferris�s sister, Jeanie (Jennifer Grey), is determined to prove that Ferris is faking sick and make him pay for it, and the bumbling school dean, Ed Rooney (Jeffrey Jones), is sure that Ferris is pulling a fast one. Another classic from writer-director John Hughes (SIXTEEN CANDLES, THE BREAKFAST CLUB), this film features a star turn from Broderick as the charismatic Ferris. Watch for Charlie Sheen as the juvenile delinquent in the police station and comedian Louie Anderson in a brief appearance as a flower deliveryman. |
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| BIG TROUBLE IN LITTLE CHINA |
| LATENITE 110686 |
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| When trucker Jack Burton agreed to take his friend Wang Chi to pick up his fiancee at the airport, he never expected to get involved in a supernatural battle between good and evil. Wang's fiancee has emerald green eyes, which make her a perfect target for an immortal sorcerer named Lo Pan and his three invincible cronies. Lo Pan must marry a girl with green eyes so he can regain his physical form. Now, Jack must save Wang's fiancee from Lo Pan and his henchmen, and win back his stolen truck. But how can he defeat an enemy who has no body? |
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| HOME OF THE BRAVE: LAURIE ANDERSON |
| 110786 |
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| Performance artist Laurie Anderson recreates her unique compositions with visual flair in this multi-media theatrical event. Accompanied by a nine-piece band that includes such greats as guitarist extraordinaire Adrian Belew and percussionist David van Tieghem, Miss Anderson presents an atmospheric experience that extends beyond the traditional concert mode. The musical extravaganza is comprised of ambient sound, spoken word narration, songs, and dance sequences -- including a tango by Anderson and famed writer William S. Burroughs, whose work greatly influenced her lyrics. |
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| RUTHLESS PEOPLE |
| LATENITE 111386 |
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| In this comedy from the directing team responsible for AIRPLANE!, two kidnappers discover, to their shock, that the husband (Danny DeVito) of the wealthy woman (Bette Midler) they've snatched won't pay the ransom and is, in fact, celebrating the possibility that she may be murdered. It isn't long before the abductors understand why: their captive, who harangues them with a never-ending stream of abuse, is more trouble than she's worth. But as they get to know her, and learn more about her husband, it dawns on the kidnappers that he's no treasure either--and that getting abducted may be the best thing that's happened to their victim in a long time. |
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| ALIENS |
| LATENITE 112786 |
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| Ripley (Sigourney Weaver), the sole survivor from the original ALIEN, is awakened after 57 years of drifting through space, her stories disbelieved by Company executives who tell her that the alien�s planet is now inhabited and colonized. When contact is suddenly lost with the colonists, Ripley returns to the planet with a squad of marines, an android (Lance Henriksen), and a Company executive (Paul Reiser) with a mission of his own. Once on the planet, no survivors can be found except for Newt, a little girl who awakens motherly instincts in Ripley just in time for the acid-blooded aliens to attack in what quickly becomes a one-sided battle for sheer survival. Considered by many to be the best of the series, ALIENS is a fast-paced, high-intensity thrill ride that set a new standard for action films and cemented director James Cameron�s status as one of Hollywood�s leading directors following the success of THE TERMINATOR. Weaver received an Academy Award nomination and became a feminist hero for her strong, sensitive performance as the survivor Ripley, while costars Reiser, Henriksen, and Bill Paxton all give career-making performances in this landmark sci-fi extravaganza. |
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| MEN |
| 112886 |
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| A successful, womanizing middle-aged man decides to move out of the house he shares with his wife after she confesses to having an affair. He looks for a new place to live and ends up moving into his wife's lover's apartment as a roommate. The husband begins to take an interest in the artistic work of the lover and coaches him for a big job interview. Little does he know that the job he's helping the lover to get is within his own company... A story about strange circumstances and the limits of friendship. |
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| SHE'S GOTTA HAVE IT |
| 122686 |
 |
| This Spike Lee film offers the audience a window into the life and loves of a young black woman in Brooklyn. Nola Darling is dating three very different men simultaneously: Jamie Overstreet--a controlling, protective, patriarchial type; Greer Childs--a wealthy, vain, arrogant male model; and Mars Blackmon (played by director Spike Lee himself)--a comical, juvenile, immature jokester. Nola has gone beyond even a love "triangle" and the stability of this love "square" is threatened by the increasing jealosy among her three suitors. Finally, under pressure, Nola makes her "choice," but in the end, is this what she really wants? |
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| SOMETHING WILD |
| 122686 |
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| The uneventful life of business-man Charles Driggs suddenly changes when he meets the wild and sexy Lulu. When he accepts her offer to drive him back to his office, she instead takes him out of town and on a trip, leaving behind his old life. Posing as a married couple, Charles and Audrey (which turns out to be Lulu's real name) visit her mother and her highschool reunion. At this reunion they meet Audrey's violent ex-husband Ray, who's just released from jail. When Ray makes it clear that he wants Audrey back, that's when the real trouble begins. |
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