ONE NIGHT ONLY – WEDNESDAY, JULY 29 AT 6 PM

EASTER IN ART

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Running Time: 85 Minutes

Directed by Phil Grabsky

The story of Christ’s death and resurrection has dominated western culture for the past 2000 years. It is perhaps the most significant historical event of all time, as recounted by the gospels but, equally, as depicted by the greatest artists in history.

From the triumphant to the savage, the ethereal to the tactile, some of western civilization’s greatest artworks focus on this pivotal moment. This beautifully crafted film explores the Easter story as depicted in art, from the time of the early Christians to the present day.

Shot on location in Jerusalem, United States and throughout Europe, the film explores the different ways artists have depicted the Easter story through the ages and thus depicts the history of us all.

Tickets: $8 General Admission

ONE NIGHT ONLY – WEDNESDAY, JULY 29 AT 6 PM

Presented by

Working with top international museums and galleries, EXHIBITION ON SCREEN create films which offer a cinematic immersion into the world’s best loved art, accompanied by insights from the world’s leading historians and arts critics. Since launching in 2011, EXHIBITION ON SCREEN have released 19 films which have been shown in over 60 countries worldwide.

THE CLIMB

Comedy/Drama – 2020– USA – 94 Minutes – Sony Pictures Classics – Rated R

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Kyle and Mike are best friends who share a close bond — until Mike sleeps with Kyle’s fiancée. The Climb is about a tumultuous but enduring relationship between two men across many years of laughter, heartbreak and rage. It is also the story of real-life best friends who turn their profound connection into a rich, humane and frequently uproarious film about the boundaries (or lack thereof) in all close friendships.

Directed by Michael Angelo Covino

Starring Michael Angelo Covino, Kyle Marvin, Gayle Rankin

Thrilling and charming in a way that very few comedies ever are…Covino’s film is an exhilarating anomaly, if not a wake-up call for the visual potential of heartfelt comedy. – RogerEbert.com

This sharp two-hander veers from caustic to sweet with acrobatic filmmaking to spare. – IndieWire

In short, the driving factor of Covino’s relentlessly funny, affecting comedy is neither cinematographic ingenuity, nor its tongue-in-cheek facetiousness, though these elements surely help. No, what’s most persuasive about Kyle and Mike is, simply put, Kyle and Mike themselves. – The Playlist

A clever comic bromance backed by artful filmmaking. – The Hollywood Reporter

Life is an uphill battle says The Climb, a film that gets better as it goes, even if life often does not. – Globe and Mail

COMING SOON

HOPE GAP

Drama/Romance – 2020 – UK – 101 Minutes – Roadside Attractions – PG-13

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The intimate, intense and loving story of HOPE GAP charts the life of Grace (Annette Bening), shocked to learn her husband (Bill Nighy) is leaving her for another after 29 years of marriage, and the ensuing emotional fallout the dissolution has on their only grown son (Josh O’Connor). Unraveled and feeling displaced in her small seaside town, Grace ultimately regains her footing and discovers a new, powerful voice.

Written & Directed by William Nicholson

Annette Bening powers potent story of the breakup of a longtime marriage in riveting film with exceptional acting. – Deadline Hollywood Daily

An affecting, well-acted and timely film. – Flickering Myth

Considerably more nuanced and mature than your typical relationship drama. – Variety

Hope Gap excels in these personal revelations that hinge upon the actors’ performances and the sorrow of pain endured complemented by the recognition of pain wrought. – The Film Stage

A satisfying watch with a lovely cinematic ending. – The Film Experience

COMING SOON

WENDY

Drama/Fantasy – 2020 – USA – 112 Minutes – Searchlight Pictures – PG-13

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The classic story of Peter Pan is wildly reimagined in this ragtag epic from Benh Zeitlin, director of BEASTS OF THE SOUTHERN WILD. Lost on a mysterious island where aging and time have come unglued, Wendy must fight to save her family, her freedom, and the joyous spirit of youth from the deadly peril of growing up.

Directed by Benh Zeitlin

Starring  Yashua Mack, Devin France, Gage Naquin

Wendy in every way feels like a handmade, one-of-a-kind, exceptionally fresh and — one hesitates to use the word — organic piece of work that quite quickly imparts a desire to see it again. – The Hollywood Reporter

Zeitlin has come up with a second film that goes down many of the same paths as his debut, another film filled with kids rampaging as the music swells — but he puts it on a mythic stage and creates a film that is magical and messy, unruly and otherworldly. – The Wrap

What a gift Zeitlin has with children. He showed that special skill with “Beasts,” but does even more so here, with the kid ensemble being full of personality and entirely unrestrained. The freedom and unbridled joy they find on the island are infectious, like their movie. – The New York Post

What you take away from Wendy, however, is that Zeitlin’s talent to soar cinematically remains intact. He can transport you to a fantastical world without the benefit of massive CG effects or a massive set on a gigantic soundstage. – The Playlist

Wendy doesn’t take the appeal of “Beasts” in a new direction, but it clarifies its strongest qualities. Zeitlin’s roving narrative techniques may have their limitations, but this spellbinding followup proves they still have juice. Everyone grows up, but the “Beasts” formula has yet to grow old. – IndieWire

COMING SOON

THE TRAITOR

Biography/Crime/Drama – 2020 – Italy – 145 Minutes – Sony Pictures Classics – In Italian with English Subtitles – Rated R

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THE TRAITOR tells the true story of Tommaso Buscetta, the man who brought down the Cosa Nostra. In the early 1980’s, an all out war rages between Sicilian mafia bosses over the heroin trade. Tommaso Buscetta, a made man, flees to hide out in Brazil. Back home, scores are being settled and Buscetta watches from afar as his sons and brother are killed in Palermo, knowing he may be next. Arrested and extradited to Italy by the Brazilian police, Buscetta makes a decision that will change everything for the Mafia: he decides to meet with Judge Giovanni Falcone and betray the eternal vow he made to the Cosa Nostra.

Directed by Marco Bellocchio

Starring Pierfrancesco Favino, Luigi Lo Cascio, Fausto Russo Alesi

The Traitor is big, bold, confident film-making. – The Guardian

One of the most revealing portraits of the Cosa Nostra on film. – Hollywood Reporter

COMING SOON

NEVER RARELY SOMETIMES ALWAYS

Drama – 2020 – USA/UK – 101 Minutes – Focus Features – Unrated

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Written and directed by Eliza Hittman, the film is an intimate portrayal of two teenage girls in rural Pennsylvania. Faced with an unintended pregnancy and a lack of local support, Autumn (Sidney Flanigan) and her cousin Skylar (Talia Ryder) embark across state lines to New York City on a fraught journey of friendship, bravery and compassion.

At once dreamlike and ruthlessly naturalistic, steadily composed yet shot through with roiling currents of anxiety, Never Rarely Sometimes Always is a quietly devastating gem. – Variety

What an extraordinary film this is. – The Playlist

The glory of Hittman’s film is in finding those moments of beauty among the brutal silences, and the magnetic grace that can be found in a person’s most difficult days. – Consequence of Sound

With stunning performances from two completely genuine young leads, this is a movie people will talk about all year. – RogerEbert.com

Hittman has provided an essential, specific look at just one person’s struggle to have control over her own body. By doing so with such a delicate, considered perspective, she’s giving a voice to millions of women going through the same experience. And it’s time to listen. – The Film Stage

Yes, it’s a searing examination of the current state of this country’s finicky abortion laws and the medical professionals tasked with enforcing them (from the small-minded to the big-hearted), and if art can have any impact on its consumers, the film will stick with many of its viewers, perhaps even changing long-held beliefs. But it’s also a singular look at what it means to be a teenage girl today, and with all the joy and pain that comes with it. – IndieWire

COMING SOON